For several years, I have been working on a photographic project entitled Cham in which I document the multiple lineages and the various manifestations of the memories of colonial slavery. This quest has taken me from the West African coasts to the outskirts of Port au Prince via the Guadeloupe mornes, the forgotten neighborhoods of New Orleans, the banks of the River Maroni and the suburbs of Santiago de Cuba.
Like most of the locals, they are probably unaware that these exceptional yet deadly waters were the homeland of another migrant, the symbol of freedom and emancipation. He was called Benedict or Binidittu, as the Sicilians fondly rechristened him. The son of African slaves, born in San Fratello in the province of Messina, he lived and died in Sicily as a hermit friar (1526-1589). Canonized in 1807 as Saint Benedict the Moor, he was the Catholic Church’s first black saint.
This photographic project aims to contribute to the rediscovery of Binidittu, retracing the improbable life of Saint Benedict the Moor, and exploring the historical sites of his hagiography, the motivations of his followers, the worship of relics, and the religious and secular practices devoted to him in Sicily and elsewhere in the Mediterranean.
Binidittu emerges as an allegory of our time: an encounter between the Mare nostrum and the world, between oblivion and memory, between racism made commonplace and our shared humanity, between the Sicilian people’s aspirations and African migrants’ hopes of freedom and dignity as they drift towards Europe’s shores”.
Nicola Lo Calzo