{"id":7185,"date":"2018-10-03T09:35:16","date_gmt":"2018-10-03T09:35:16","guid":{"rendered":"https:\/\/vetalight.it\/dev\/?p=7185\/"},"modified":"2020-05-05T14:41:35","modified_gmt":"2020-05-05T14:41:35","slug":"greg-miller-unto-dust-design-by-ramon-pez-lartiere-publishing","status":"publish","type":"post","link":"https:\/\/www.lartiere.com\/fr\/greg-miller-unto-dust-design-by-ramon-pez-lartiere-publishing\/","title":{"rendered":"Greg Miller \u00ab\u00a0Unto Dust\u00a0\u00bb design by Ramon Pez; L&rsquo;Artiere Publishing"},"content":{"rendered":"<p><a href=\"https:\/\/vetalight.it\/dev\/wp-content\/uploads\/2018\/09\/16_2000_0012_FPO.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7138\" src=\"https:\/\/vetalight.it\/dev\/wp-content\/uploads\/2018\/09\/16_2000_0012_FPO-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" \/><\/a><\/p>\n<p>On a cool February day, 20 years ago, Greg Miller asked a New Yorker why they were wearing ashes on their forehead. Fascinated by the juxtaposition of the ancient ritual against the backdrop of contemporary New York City, Miller began documenting Ash Wednesday every year using his large format 8-by-10 inch view camera. Unto Dust showcases over 40 of Miller&rsquo;s portraits of workers, business people, tourists and other New Yorkers on the first day of Lent made over the course of two decades.<\/p>\n<p><a href=\"https:\/\/vetalight.it\/dev\/wp-content\/uploads\/2018\/09\/56_2002_0117_7500.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7147\" src=\"https:\/\/vetalight.it\/dev\/wp-content\/uploads\/2018\/09\/56_2002_0117_7500-238x300.jpg\" alt=\"\" width=\"238\" height=\"300\" \/><\/a><\/p>\n<p><em>\u00ab\u00a0In 1997, I began most days by walking down the steps of my apartment building<\/em><br \/>\n<em>onto East 32nd Street with a wooden 8\u201d by 10\u201d camera over my shoulder.<\/em><br \/>\n<em>Following intuition and the light, I\u2019d walk around different neighborhoods of<\/em><br \/>\n<em>the city and make pictures. On this particular February day, I was standing on<\/em><br \/>\n<em>bustling Third Avenue near Grand Central Station when something I saw in<\/em><br \/>\n<em>that sharply angled winter sunlight made me pause. People were going about<\/em><br \/>\n<em>their day\u2013to work, to lunch, talking, laughing, smoking, and hailing taxis\u2013all<\/em><br \/>\n<em>with ashen crosses on their foreheads. The visual juxtaposition was suddenly<\/em><br \/>\n<em>so compelling. A few more people walked by, and then I saw a man I would<\/em><br \/>\n<em>have stopped to photograph on any day; his receding white hair and bushy<\/em><br \/>\n<em>mustache were like my father\u2019s. Yet the ashes on his forehead were evocative<\/em><br \/>\n<em>of something more ancient and mysterious. The photograph I made of him<\/em><br \/>\n<em>became the first in what would become a twenty-year-long exploration of Ash<\/em><br \/>\n<em>Wednesday through portraiture.<\/em><br \/>\n<em>Ash Wednesday is the first day of Lent in the Christian liturgical calendar. A<\/em><br \/>\n<em>priest administers ashes to a person\u2019s forehead while uttering some version of the<\/em><br \/>\n<em>memento mori, \u201cRemember you are dust and to dust you shall return.\u201d This ritual<\/em><br \/>\n<em>observance acts as a reminder of the believer\u2019s own mortality and imperfect<\/em><br \/>\n<em>nature at the beginning of the introspective and repentant period of Lent.<\/em><br \/>\n<em>My own artistic ritual, returning to New York City year after year to<\/em><br \/>\n<em>photograph Ash Wednesday, has made this series personally sacred. Because<\/em><br \/>\n<em>the day arrives in late winter, it coincides with my own emerging from a kind<\/em><br \/>\n<em>of photographic hibernation, resuming the somewhat scary, yet rewarding<\/em><br \/>\n<em>practice of photographing strangers on the street. Ash Wednesday allows<\/em><br \/>\n<em>me to reflect on the past year. This echoes what many of the people in my<\/em><br \/>\n<em>pictures report feeling: their day begins in apprehension and trepidation,<\/em><br \/>\n<em>but as the hours pass it transforms into an experience of redemption<\/em><br \/>\n<em>and forgiveness.<\/em><br \/>\n<em>As an observer, I\u2019m cautious about assuming what the mark of the ashes<\/em><br \/>\n<em>means for the faith of those who receive it. I used to think that all my<\/em><br \/>\n<em>subjects must be devout in some kind of singular or definable way. Yet<\/em><br \/>\n<em>through the years, in talking with over 300 subjects, I\u2019ve learned that the<\/em><br \/>\n<em>physical practice of the ritual is the unifying feature for people whose faith<\/em><br \/>\n<em>is a varied, complex, living phenomenon.\u00a0\u00bb<\/em><\/p>\n<p style=\"text-align: center;\"><em>Greg Miller<\/em><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/vetalight.it\/dev\/wp-content\/uploads\/2018\/09\/41_2016_0025_FPO.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7144\" src=\"https:\/\/vetalight.it\/dev\/wp-content\/uploads\/2018\/09\/41_2016_0025_FPO-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On a cool February day, 20 years ago, Greg Miller asked a New Yorker why they were wearing ashes on their forehead. Fascinated by the juxtaposition of the ancient ritual&#8230;<\/p>\n","protected":false},"author":4,"featured_media":8065,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[442],"tags":[562,445,621,567],"class_list":["post-7185","post","type-post","status-publish","format-standard","has-post-thumbnail","category-post-blog-fr","tag-greg-miller","tag-lartiere","tag-ramon-pez","tag-unto-dust"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"gianluca\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/www.lartiere.com\/fr\/greg-miller-unto-dust-design-by-ramon-pez-lartiere-publishing\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.0.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"fr_FR\" \/>\n\t\t<meta property=\"og:site_name\" content=\"L\u2019Artiere Edizioni, independent publishing house and photography books | L\u2019Artiere Edizioni  is a young and independent publishing house specialised in photography books characterised by the high quality of its products.\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Greg Miller \u00ab\u00a0Unto Dust\u00a0\u00bb design by Ramon Pez; 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